STRINGS, BRASS, WINDS
Click images to play audio/video demos. Click Download links for 48 kHz WAV files.
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Complete Orchestra Preview
Example of 70 DVZ Strings working together with Brillanti Philharmonic and Early Brass as well as the Winds library and some of our Percussion thrown in. Everything was performed live, all at the same time, on one keyboard (multiple takes)
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Oblivion
Demonstrates the use of DVZ’s pattern arpeggiators. Made exclusively with 70 DVZ Strings, Brillanti Philharmonic and Early Brass and other AI libraries to come. Composed and performed by Christopher L. Stone. This demo was created with edits.
For max quality, Download this WAV file.
STRINGS
Click images to play audio/video demos. Click Download links for 48 kHz WAV files.
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Saga
Demonstrates the full range between legato and marcato. Composed and performed by Christopher L. Stone. This demo was created in one pass without overdubs or edits.
For max quality, Download the WAV file. -
18th Century Strings
This demonstrates the scaleability of 70 DVZ Strings — down to 30 players in this example. It also demonstrates key velocity activated, metered trems. Composed and performed by Christopher L. Stone. This demo was created in one pass, without overdubs and with post edits.
For max quality, Download the WAV file. -
Don’t Go in the Attic
Demonstrates Pendereki styles including long glissandi and clusters. Created with DVZ’s continuous controllers. No dedicated effects samples. By Christopher L. Stone. This demo was created with edits.
For max quality, Download the WAV file.
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South By Southwest
Stephen Barton wrote “South by Southwest” exclusively with and for DVZ using no additional reverbs, EQ or effects. He recorded it 1 track at a time on 5 MIDI tracks. This demo was created with edits.
See Production Details. -
Cunning Cat
Demonstrates broad glissandi, pizzicato, as well as trills and other pattern-generator functions of DVZ. Composed and performed by Christopher L. Stone. This demo was created with edits.
For max quality, Download the WAV file.
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